This genre of film is right up my alley, except I cringe at ridiculous incompetence disguised as humour (Chris Hemsworth being baffled by glass or how to answer a phone or the difference between his eyes and ears - actually). The homage to the original was heavy-handed. Some of the cameos were worth the two minutes of film, but others were wasted. The remake of the title song was painful, and the much-hyped heavy metal concert scene was positively bland, Ozzy's micro-appearance notwithstanding. Who goes to a concert at four in the afternoon? The action scenes felt plodding. And then it all ended in the middle of a boring sibling argument over a car. No final joke. It just panned out to credits with some non-funny 'bonus' bits that are now to be expected.
Despite passing the Bechdel Test (among others), it didn't feel like a feminist celebration. This is making the rounds on Twitter, and it's far funnier than the movie it describes:
There's an awkward sub-plot that shifts the genders on the stereotype of bosses hiring a ditzy secretary for a little eye candy at the office. Maintaining a sexist trope but switching the genders doesn't make it any less sexist or offensive, or, in this case, any less dumb and annoying. The film doesn't have to solve all the problems with sexism, but it would be nice if it didn't add to them. That sub-plot wasn't part of the original film. Annie Potts was sexy, but she was no bimbo.
I wonder, though, if we're so excited to have a female version of a male film, that we're wary to say anything wrong about it, especially in the face of the kind of criticism it received before it was even released because of the female leads. We need movies like this to prove a point, that they can be good. And they can be, it's just this one isn't. And that's okay. There are an awful lot of movies with amazing male actors that are completely unwatchable. It happens. And the small but vocal faction that is obsessed with denigrating anything female-driven just needs to be eye-rolled into oblivion.
Some women have argued that every feminist should be supporting Hillary, but it's not feminist to vote for just any woman or to blindly support anything a woman does. It's feminist to support the principles that will erode inequality and oppressive stereotypes. Having female leads isn't enough to make a film feminist, or for this feminist to suggest anyone see this film. Ever.